Shri Vishwabharthi Films: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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m (Text replacement - "We see the" to "There is the")
 
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[[File:Shri Vishwabharthi Films (1960).png|center|300px]]
[[File:Shri Vishwabharthi Films (1960).png|center|300px]]
[[File:Shri Vishwabharthi Films (1960, Barsaat Ki Raat).mp4|240px|frameless|center]]
[[File:Shri Vishwabharthi Films (1960, Barsaat Ki Raat).mp4|240px|frameless|center]]
'''Visuals:''' We see the same statue of the previous logo, just zoomed in, before the lights have been turned up.
'''Visuals:''' There is the same statue of the previous logo, just zoomed in, before the lights have been turned up.


'''Variant:''' On Barsaat Ki Raat, the logo zooms in a little bit towards the end.
'''Variant:''' On Barsaat Ki Raat, the logo zooms in a little bit towards the end.

Latest revision as of 08:02, 27 November 2023


1st Logo (January 18, 1954)


Visuals: On a dark background a black woman is trying to open the mouth of a lion (like Samson). Both are over a big sphere, where we can read:

SHRI
VISHWA BHARATI
FILMS LTD.

The camera zooms to the statue, and then the lights are turned up.

Technique: Practical effects.

Audio: A great action melody made by a sitar.

Availability: Seen on Meenar.

2nd Logo (December 9, 1960-January 1, 1966)

Visuals: There is the same statue of the previous logo, just zoomed in, before the lights have been turned up.

Variant: On Barsaat Ki Raat, the logo zooms in a little bit towards the end.

Technique: Practical effects.

Audio: Depends on the film:

  • Barsaat Ki Raat: A six-note flute theme.
  • Nai Umar Ki Nai Fasal: A girl singing in Hindi with some instruments playing throughout.

Availability: Seen on Barsaat Ki Raat and Nai Umar Ki Nai Fasal.

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