Sangam Films: Difference between revisions

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{{PageCredits|description=Scratcho99 and Tabit|edits=Tabit|video=MatthewTheScienceGuy}}
https://youtu.be/WRPyOuzJQfU
===Logo (February 11, 2004)===
<gallery mode="packed" heights="200">
Sangam Films (2004) (From - Man Ko Tukra).png
</gallery>
{{YouTube|id=WRPyOuzJQfU}}
{{guidance detail|reason=audio}}
'''Visuals:''' The screen zooms outwards to reveal a {{color
|gold|golden}} statue of a Hindu goddess against a {{color
|blue|blue}} background, a spotlight then pans up to the goddess' head and a big white rounded rectangle zooms in afterward. It then fades to a black background with the company's name in Nepali in {{color
|#00008B|dark blue}}. A white flash then brightens up the text.


'''Technique:''' Live action with early CGI for the text.
Logo: At the beginning, we zoom out to reveal a picture of a golden statue of a Hindu god/goddess and after a few seconds, a big white rounded rectangle zooms in and Nepali text showsup.


'''Audio:''' Several strums of a lyre followed by a whoosh when the beam shows up, then a heavily dramatic fanfare for the rest.


'''Availability:''' Only seen on ''Man Ko Tukra''.
Music/SFX: Relaxing string music (Reminiscent of the music used in logos such as Aarti Pictures and Aanandam Arts) followed by some noises.


[[Category:Nepal]]
Availability: TBA
[[Category:Nepali film logos]]

[[Category:Film logos]]
Availability: TBA

Latest revision as of 23:55, 27 November 2023


Logo (February 11, 2004)



Visuals: The screen zooms outwards to reveal a golden statue of a Hindu goddess against a blue background, a spotlight then pans up to the goddess' head and a big white rounded rectangle zooms in afterward. It then fades to a black background with the company's name in Nepali in dark blue. A white flash then brightens up the text.

Technique: Live action with early CGI for the text.

Audio: Several strums of a lyre followed by a whoosh when the beam shows up, then a heavily dramatic fanfare for the rest.

Availability: Only seen on Man Ko Tukra.

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