SMPTE Universal Leader: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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===Background===
===Background===
During the mid-1960s, the Society of Motion Picture and Television Engineers (SMPTE) introduced a new design known as the '''SMPTE Universal Leader'''. This replacement took over from the previous Academy Leader. The SMPTE Universal Leader was intended for use in both television and cinema projection scenarios, although its adoption in theatrical settings was limited.
During the mid-1960s, the Society of Motion Picture and Television Engineers (SMPTE) introduced a new design known as the '''SMPTE Universal Leader'''. This replacement took over from the previous Academy Leader. The SMPTE Universal Leader was intended for use in both television and cinema projection scenarios, although its adoption in theatrical settings was limited.
===(Mid 1960s)===
===(1965-)===
<gallery mode=packed heights=200>
<gallery mode=packed heights=200>
File:SMPTE Universal Film Leader (generic title card).png|Title card
File:SMPTE Universal Film Leader (generic title card).png|Title card
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Afterwards, the indications "16 SOUND START" and "35 SOUND START" were shown within a circular target shape. Subsequently, the phrase "PICTURE START" appeared, marking the commencement of the countdown sequence. The countdown sequence includes an ongoing timer that counted down from 8 to 2 seconds. The countdown was displayed at the center of a target with two white circles, accompanied by a rotating animation resembling a clock arm. During the four-count phase, the letters "C C F F" emerged around the countdown, symbolizing the frames utilized as "control frames."
Afterwards, the indications "16 SOUND START" and "35 SOUND START" were shown within a circular target shape. Subsequently, the phrase "PICTURE START" appeared, marking the commencement of the countdown sequence. The countdown sequence includes an ongoing timer that counted down from 8 to 2 seconds. The countdown was displayed at the center of a target with two white circles, accompanied by a rotating animation resembling a clock arm. During the four-count phase, the letters "C C F F" emerged around the countdown, symbolizing the frames utilized as "control frames."


'''Trivia:'''
'''Trivia:''' One noteworthy aspect was that the numbers were oriented correctly when projected onto a screen, unlike the Academy countdown numbers that would be upside down.
*Work on this leader's design began as early as 1959.
*One noteworthy aspect was that the numbers were oriented correctly when projected onto a screen, unlike the Academy countdown numbers that would be upside down.


'''Variants:''' Production/editing companies and/or studios would often have custom versions of this leader.
'''Variants:''' Production/editing companies and/or studios would often have custom versions of this leader.

Revision as of 03:30, 12 October 2023


Background

During the mid-1960s, the Society of Motion Picture and Television Engineers (SMPTE) introduced a new design known as the SMPTE Universal Leader. This replacement took over from the previous Academy Leader. The SMPTE Universal Leader was intended for use in both television and cinema projection scenarios, although its adoption in theatrical settings was limited.

(1965-)

Visuals: The leader starts with a title card reading:

SMPTE
UNIVERSAL
LEADER

Afterwards, the indications "16 SOUND START" and "35 SOUND START" were shown within a circular target shape. Subsequently, the phrase "PICTURE START" appeared, marking the commencement of the countdown sequence. The countdown sequence includes an ongoing timer that counted down from 8 to 2 seconds. The countdown was displayed at the center of a target with two white circles, accompanied by a rotating animation resembling a clock arm. During the four-count phase, the letters "C C F F" emerged around the countdown, symbolizing the frames utilized as "control frames."

Trivia:

  • Work on this leader's design began as early as 1959.
  • One noteworthy aspect was that the numbers were oriented correctly when projected onto a screen, unlike the Academy countdown numbers that would be upside down.

Variants: Production/editing companies and/or studios would often have custom versions of this leader.

Technique: Cel animation.

Audio: At the 2-second mark of the countdown, a brief beep, known as the "2-pop," would sound.

Availability: Seen on many 16mm films and commercials, although they were rarely used in theatrical films.

Legacy: One of the most famous film leaders of all time, and has been parodied numerous times.

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