Nicholas Wootton Productions: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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'''Logo:''' On a black background, we see the large serif texts "'''Nicholas'''" and "'''Wootton'''" respectively, sliding and merging together as it takes up the screen. They move away, as we see both texts now in a white color slide in with a line underneath, while "PRODUCTIONS" in a more basic font appears sliding below.
'''Logo:''' On a black background, we see the large serif texts "'''{{Font|Times New Roman|Nicholas}}'''" and "'''{{Font|Times New Roman|Wootton}}'''" respectively, sliding and merging together as it takes up the screen. They move away, as we see both texts now in a white color slide in with a line underneath, while "PRODUCTIONS" in a more basic font appears sliding below.


'''FX/SFX:''' The sliding and merging.
'''FX/SFX:''' The sliding and merging.
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'''Availability:''' Seen on ''Golden Boy''.
'''Availability:''' Seen on ''Golden Boy''.


'''Editor's Note:''' None.
'''Editor's Note:''' None.


===2nd Logo (February 21-May 2, 2022)===
===2nd Logo (February 21-May 2, 2022)===

Revision as of 14:49, 31 August 2022


Background

This is the vanity plate of Nicholas Wootton.

1st Logo (February 26-May 14, 2013)

Logo: On a black background, we see the large serif texts "Nicholas" and "Wootton" respectively, sliding and merging together as it takes up the screen. They move away, as we see both texts now in a white color slide in with a line underneath, while "PRODUCTIONS" in a more basic font appears sliding below.

FX/SFX: The sliding and merging.

Music/Sounds: A three-note piano theme.

Availability: Seen on Golden Boy.

Editor's Note: None.

2nd Logo (February 21-May 2, 2022)

Logo: On a white background, we see a teenage boy with his long hair thrown back in grayscale, playing a guitar. Underneath is the text "NICHOLAS WOOTTON PRODUCTIONS". It is next to the Jake Coburn Productions logo.

FX/SFX: None.

Music/Sounds: The closing theme of the show.

Availability: Seen on The Endgame.

Editor's Note: None.

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