Filmitalus Video: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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m (Text replacement - "'''Availability:''' Scarce." to "'''Availability:''' Unknown.")
m (Text replacement - "===(" to "===Logo (")
 
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{{PageCredits|description=Tabit|capture=Tabit|video=Diretro Pra Video}}
{{PageCredits|description=Tabit|capture=Tabit|video=Diretro Pra Video}}


===(Late 1980's)===
===Logo (Late 1980's)===
<gallery mode="packed" heights="200">
<gallery mode="packed" heights="200">
Filmitalus Video (1988).png
Filmitalus Video (1988).png
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{{YouTube|id=AA1-wFrGC-A}}
{{YouTube|id=AA1-wFrGC-A}}


'''Logo:''' In a dark setting, we come across what appears to be a runaway with spotlights on both sides (which is a Cascom template). Shortly after, a shiny {{Color|khaki|golden}} plate containing a box with "'''{{Color|khaki|FILMITALUS VIDEO}}'''" on the inside in a stacked format zooms in until it covers the entire screen.
'''Visuals:''' In a dark setting, we come across what appears to be a runaway with spotlights on both sides (which is a Cascom template). Shortly after, a shiny {{Color|khaki|golden}} plate containing a box with "'''{{Color|khaki|FILMITALUS VIDEO}}'''" on the inside in a stacked format zooms in until it covers the entire screen.


'''Technique:''' Computer animation.
'''Technique:''' Computer animation.


'''Music/Sounds:''' A short snippet of Danse Macabre by Camille Saint-Saëns.
'''Audio:''' A short snippet of Danse Macabre by Camille Saint-Saëns.


'''Availability:''' Unknown.
'''Availability:''' Unknown.

Latest revision as of 09:15, 10 October 2023


Logo (Late 1980's)


Visuals: In a dark setting, we come across what appears to be a runaway with spotlights on both sides (which is a Cascom template). Shortly after, a shiny golden plate containing a box with "FILMITALUS VIDEO" on the inside in a stacked format zooms in until it covers the entire screen.

Technique: Computer animation.

Audio: A short snippet of Danse Macabre by Camille Saint-Saëns.

Availability: Unknown.

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