Draft:Shree Bharat Lakshmi Pictures: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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'''Availability:''' Rare. Seen on ''Krishnakanter Will'', ''Kalanka Bhanjan'', ''Thikadar'' and ''Avatar-or-Grihalakshmi''
'''Availability:''' Rare. Seen on ''Krishnakanter Will'', ''Kalanka Bhanjan'', ''Thikadar'' and ''Avatar-or-Grihalakshmi''


==={{Ordinal|2}} Logo (1937, 1939)===
===2nd Logo (1937, 1939)===
[[File:Shree_Bharat_Lakshmi_Pictures_(1937,_1939).png|center|300px]]
[[File:Shree_Bharat_Lakshmi_Pictures_(1937,_1939).png|center|300px]]
[[File:Shree Bharat Lakshmi Pictures (1932).mp4|300px|frameless|center]]
[[File:Shree Bharat Lakshmi Pictures (1932).mp4|300px|frameless|center]]

Revision as of 14:27, 16 December 2022


Background

Established in the early 1930's by Babulal Choukhani in Kolkata, Shree Bharat Lakshmi Pictures became a force to reckon with in Bangla cinema and churned out many important productions in the coming two decades. In the very same year, Choukhani sets up Bharat Lakshmi Studio in Tollygunge and gets industry stalwarts like Ahindra Chowdhury, Jahar Ganguly and Dhiraj Bhattacharya to collaborate with him on some major projects of this decade. Prolific, resourceful and immensely enterprising, Shree Bharat Lakshmi Pictures holds a key position in the history of Bangla cinema.

1st Logo (1932-1935)

Logo: TBA.

Technique: Traditional animation.

Music/Sounds: The opening theme of the film.

Availability: Rare. Seen on Krishnakanter Will, Kalanka Bhanjan, Thikadar and Avatar-or-Grihalakshmi

2nd Logo (1937, 1939)

Logo: TBA.

Technique: Live-action.

Music/Sounds: See previous logo.

Availability: Rare. Seen on Alibaba and Parasmani.

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