DEFA: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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m (Text replacement - "VortexArto" to "Logoarto")
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'''Technique:''' None.
'''Technique:''' None.


'''Music/Sounds:''' Opening theme of the film.
'''Audio:''' Opening theme of the film.
'''Availability:''' Seen on ''Die Mörder sind unter uns'', their first film.
'''Availability:''' Seen on ''Die Mörder sind unter uns'', their first film.
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'''Technique:''' None.
'''Technique:''' None.


'''Music/Sounds:''' The opening theme of the film or silent.
'''Audio:''' The opening theme of the film or silent.


'''Availability:''' Seen on its East German films, especially ''The Golden Yurt'' (an Mongol-German co-production) and ''Jacob the Liar''.
'''Availability:''' Seen on its East German films, especially ''The Golden Yurt'' (an Mongol-German co-production) and ''Jacob the Liar''.

Revision as of 21:22, 6 October 2023


Background

DEFA (Deutsche Film-Aktiengesellschaft) was a East German film studio of the German Democratic Republic (East Germany) throughout the country's existence.

1st Logo (October 15, 1946)

Logo: On a granite background is the DEFA logo which is a two-toned white-and-black filmstrip, On the white side is "DE" in black, and on the black side is "FA" in white. below the filmstrip is the white text "DEUTSCHE FILM A.-G.", in a tall bold font with a drop shadow, and below that text is "ZEIGT" ("PRESENTS"), in a smaller font also with a drop shadow.

Technique: None.

Audio: Opening theme of the film.

Availability: Seen on Die Mörder sind unter uns, their first film.

2nd Logo (July 13, 1961 - 1992?)

Logo: On a black background is the DEFA logo. Below the logo, we see the German text "STUDIO FÜR SPIELFILME" (German for "STUDIO FOR FEATURE FILMS").

Variant: Sometimes, the Totalvision or ORWOColor logos can be seen.

Technique: None.

Audio: The opening theme of the film or silent.

Availability: Seen on its East German films, especially The Golden Yurt (an Mongol-German co-production) and Jacob the Liar.

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