Central Digital Lab: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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===Background=== |
===Background=== |
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'''Central Digital Lab''' is a Filipino company based in Makati that digitally restores classic films, most notably with the now-defunct network [[ABS-CBN |
'''Central Digital Lab''' is a Filipino company based in Makati that digitally restores classic films, most notably with the now-defunct network [[ABS-CBN |ABS-CBN]] for the latter's "ABS-CBN Digital Restoration Project" that started in 2012 and ended in 2021. |
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===(2012-)=== |
===Logo (2012-)=== |
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<gallery mode=packed heights="200"> |
<gallery mode=packed heights="200"> |
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File:Central Digital Lab (2016).png |
File:Central Digital Lab (2016).png |
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{{YouTube|id=vA6wh5H2GpE}} |
{{YouTube|id=vA6wh5H2GpE}} |
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''' |
'''Visuals:''' On a black background, two sets of {{color|cyan}} segmented circles, the outer one being larger and the inner one being smaller and darker, form in as it shrinks to the right. A white line then draws and "'''central''' digital lab" slides from it. |
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'''Technique:''' 2D animation. |
'''Technique:''' 2D animation. |
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''' |
'''Audio:''' None. |
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'''Availability:''' Seen on their restored films starting with ''Himala'' (1982), ''Cain at Abel'' and ''Hanggang Kailan Kita Mamahalin'' (1997). |
'''Availability:''' Seen on their restored films starting with ''Himala'' (1982), ''Cain at Abel'' and ''Hanggang Kailan Kita Mamahalin'' (1997). |
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Latest revision as of 01:41, 10 October 2023
Compiled by
LMgamer36
Video captures courtesy of
The AVTB Archives
LMgamer36
Video captures courtesy of
The AVTB Archives
Background
Central Digital Lab is a Filipino company based in Makati that digitally restores classic films, most notably with the now-defunct network ABS-CBN for the latter's "ABS-CBN Digital Restoration Project" that started in 2012 and ended in 2021.
Logo (2012-)
.png)
Visuals: On a black background, two sets of cyan segmented circles, the outer one being larger and the inner one being smaller and darker, form in as it shrinks to the right. A white line then draws and "central digital lab" slides from it.
Technique: 2D animation.
Audio: None.
Availability: Seen on their restored films starting with Himala (1982), Cain at Abel and Hanggang Kailan Kita Mamahalin (1997).
